Srimanta Sankaradeva (1449-1568 AD) was a leading playwright of Assam as well as India. He set several world records as a playwright and director. His maiden play Chihna yatra launched the movement of regional plays in the modern Indian languages. This play was enacted in...
The Thân or Sattra institution is a living heritage bequeathed to the posterity by Srimanta Sankaradeva (1449 AD - 1568 AD). Unlike most heritages, which are long dead, the Thân or Sattra institution continues to be a vibrant one. Earlier, it was known only as Thân....
The holy land of Bharatavarsha, a wider concept than the present-day India, has seen emergence of many saints and reformers over the milleniums. But there have been very few who have revolutionized the entire socio-economic scenario of their respective regions together with religious movements, like...
Srimanta Sankaradeva (1449-1568 AD) was an unprecedented genius in the annals of world history, as he contributed many original works to the humanity. His creations are now parts of our common heritage. One such heritage is the Sattra institution. In his time, it was known...
Swami Vivekananda (1863-1902) was such a person who spent his entire time for the people, both in India and abroad. His life was for the society. He followed the ideology of his master Ramakrishna Paramahansa, who did not have the slightest hesitation in offering his...
Srimanta Sankaradeva (1449-1568), the founder of the Vaishnavite order Eka Sarana Nāma Dharma was a multi-faceted person whose works had different dimensions. In spite of being a religious preceptor, he included aesthetic activities like Sattriyā dance, Bargeet song, Sankari music, Ankiyā plays, painting and sculpture...
Srimanta Sankaradeva (1449-1568 AD) was an important personality in the annals of history. He was not only a religious preceptor, but also a social reformer, who sanskritized the ethnic groups of the volatile North East India and assimilated them with the national main-stream of Bharatavarsha...
Assam had a rich tradition of Assamese folk theatrical elements, though not exactly full-fledged theatre, for several milleniums. Full-fledged Assamese theatre came into being in the medieval times. In fact there had been no full-fledged theatre in any modern Indian languages at all before the...
The community known as Assamese Sikh is a very silent, dedicated community, who have enriched the socio-cultural life of Assam. Their participation in the societal lives is so intense that all the folk elements of the Assamese society have been preserved by them in an...
Jyotiprasad Agarwala, the doyen of Assamese culture was conferred the popular title Rupkonwar (Prince of beauty) by poet Anandachandra Barua in 1938. It was a befitting title for an artist who had so much of aesthetic sense that people found the word ‘beauty’ synonymous with...