What I propose to submit in this lecture is an analysis from my point of view about medieval Indian theatre, supported by evidence in the realm of different Indian traditions. I will certainly revise my views in the light of new elements, which come to my sight. I will have to analyse different traditions minutely …
Place of Ankiyā Bhāonā in the medieval Indian Theatre Read More »
Saint Srimanta Sankaradeva, who lived from 1449 to 1568 AD founded the Vaishnavite order Eka Sarana Nāma Dharma. He preached devotion to the supreme entity, lord Krishna. All devotees of that supreme entity are considered as equal entities in his order. It was a classless and casteless social order that the saint preached. All devotees received …
Researched and Prepared by Dr Sanjib Kumar Borkakoti 1320—Chandibar, forefather of Srimanta Sankaradeva migrated from Kannauj 1419-20—Kusumbar Bhuyan, father of Sankaradeva married Satyasandhya 1449—Sankara was born at Alipukhuri 1450—Sankara’s grandfather Suryabar died 1451— Sankara’s brother Banganya was born 1454— Sankara given Uttari 1457—Kusumbar Bhuyan died 1461— Sankara’s education started under Mahendra Kandali 1465— Sankara completed …
Life of Srimanta Sankaradeva : chronology of events Read More »
Srimanta Sankaradeva (1449-1568 AD) was a leading playwright of Assam as well as India. He set several world records as a playwright and director. His maiden play Chihna yatra launched the movement of regional plays in the modern Indian languages. This play was enacted in 1468 AD at Tembuwani (Bardowa).1 Unfortunately no script of this …
The Thân or Sattra institution is a living heritage bequeathed to the posterity by Srimanta Sankaradeva (1449 AD – 1568 AD). Unlike most heritages, which are long dead, the Thân or Sattra institution continues to be a vibrant one. Earlier, it was known only as Thân. Later on the name Sattra also came to be used. The …
Than & Sattra institution : a living heritage of Sankaradeva legacy Read More »
Srimanta Sankaradeva (1449-1568), the founder of the Vaishnavite order Eka Sarana Nāma Dharma was a multi-faceted person whose works had different dimensions. In spite of being a religious preceptor, he included aesthetic activities like Sattriyā dance, Bargeet song, Sankari music, Ankiyā plays, painting and sculpture in his scheme of things. Needless to say, all these …
Srimanta Sankaradeva (1449-1568 AD) was an important personality in the annals of history. He was not only a religious preceptor, but also a social reformer, who sanskritized the ethnic groups of the volatile North East India and assimilated them with the national main-stream of Bharatavarsha through the tools of culture as well as philosophical perspective. …
Assam had a rich tradition of Assamese folk theatrical elements, though not exactly full-fledged theatre, for several milleniums. Full-fledged Assamese theatre came into being in the medieval times. In fact there had been no full-fledged theatre in any modern Indian languages at all before the advent of Srimanta Sankaradeva in the fifteenth century. It was …
Evolution of Assamese Theatre (with special reference to Ankiyā Bhāonā) Read More »
Jyotiprasad Agarwala, the doyen of Assamese culture was conferred the popular title Rupkonwar (Prince of beauty) by poet Anandachandra Barua in 1938. It was a befitting title for an artist who had so much of aesthetic sense that people found the word ‘beauty’ synonymous with him. He had a normal feature, a lean and thin …
Bishnu Prasad Rabha lived in a tumultuous time, when the country was at the height of freedom movement. He was an active participant in that movement. He became so serious in this struggle for freedom that he dedicated his entire life to it. He did not mean freedom to be one-dimensional; it was not freedom …
Location: Nagaon, Assam, India
