Madhavadeva

Religious outlook of Srimanta Sankaradeva

Srimanta Sankaradeva founded a new religious order named Eka Sarana Nāma Dharma. The main guiding principle of this order is Eka Sarana or refuse in a single entity. The saint asked his followers to worship only a single entity, the supreme absolute being, who is termed as Ishwara in the religious terminology. What was propounded …

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Srimanta Sankaradeva and tribal culture

Saint Srimanta Sankaradeva, who lived from 1449 to 1568 AD founded the Vaishnavite order Eka Sarana Nāma Dharma. He preached devotion to the supreme entity, lord Krishna. All devotees of that supreme entity are considered as equal entities in his order. It was a classless and casteless social order that the saint preached. All devotees received …

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Originality of Srimanta Sankaradeva’s contributions

Srimanta Sankaradeva, the father of Assamese nation, was an extra-ordinary person, who excelled in almost all areas of knowledge. His contributions not only made the foundations of Assamese literature, culture and social structure, but also established the super-structures thereupon. It goes without saying that all contributions of Srimanta Sankaradeva bear his marks distinctively. His influence was …

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Evolution of Sankari art form

Art is a way of expressing one’s ideas in aesthetically appealing forms. These include sculptures, paintings, masks, carvings, murals, illustrations etc. It was therefore quite natural that Srimanta Sankaradeva, the father of Assamese literature and culture used this medium to a large extent for his proselytizing activities. The Kirtanghar established by him came to be embellished …

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Spiritual path of Eka Sharana Nâma Dharma

Srimanta Sankaradeva was one of the foremost religious philosophers in the world. His religion Eka Sharana Nâma Dharma laid the foundation for a new religious philosophy. The present author has named this philosophy as Vivartanavâda as it facilitates the elevation of the Jîva from the primary dual state to the non-dual state of identity with …

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Costumes and Ornaments of Ankiyā Bhāonā

The performance of the Ankiyā plays authored by Srimanta Sankaradeva and Madhavadeva is known as Bhāonā. Many plays have been written since then by different Assamese playwrights in the style of the Ankiyā plays composed by these two doyens of Assamese literature and culture. But these later compositions are not called Ankiyā play. So Ankiyā …

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Life of Srimanta Sankaradeva : chronology of events

Researched and Prepared by Dr Sanjib Kumar Borkakoti 1320—Chandibar, forefather of Srimanta Sankaradeva migrated from Kannauj 1419-20—Kusumbar Bhuyan, father of Sankaradeva married Satyasandhya 1449—Sankara was born at Alipukhuri 1450—Sankara’s grandfather Suryabar died 1451— Sankara’s brother Banganya was born 1454— Sankara given Uttari 1457—Kusumbar Bhuyan died 1461— Sankara’s education started under Mahendra Kandali 1465— Sankara completed …

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Philosophy of Eka Sarana Nāma Dharma embedded in Madhavadeva’s Nāmghoshā

Mahapurusha Madhavadeva’s Nām-Ghoshā is such a book that is at the same time collection of sweet hymns as well as a series of profound philosophical theories of Vivartanavāda pertaining to the Eka Sarana Nāma Dharma order founded by his preceptor Srimanta Sankaradeva. It is upto the readers to choose the objective in reading or reciting, …

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Common socio-economic perspectives of Srimanta Sankaradeva and Guru Nanak

  The holy land of Bharatavarsha, a wider concept than the present-day India, has seen emergence of many saints and reformers over the milleniums. But there have been very few who have revolutionized the entire socio-economic scenario of their respective regions together with religious movements, like Mahapurusha Srimanta Sankaradeva (1449-1568) and Guru Nanak (1469-1539) did. …

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Evolution of Assamese Theatre (with special reference to Ankiyā Bhāonā)

Assam had a rich tradition of Assamese folk theatrical elements, though not exactly full-fledged theatre, for several milleniums. Full-fledged Assamese theatre came into being in the medieval times. In fact there had been no full-fledged theatre in any modern Indian languages at all before the advent of Srimanta Sankaradeva in the fifteenth century. It was …

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