Chihna-Yâtrâ

Place of Ankiyā Bhāonā in the medieval Indian Theatre

What I propose to submit in this lecture is an analysis from my point of view about medieval Indian theatre, supported by evidence in the realm of different Indian traditions. I will certainly revise my views in the light of new elements, which come to my sight. I will have to analyse different traditions minutely …

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Srimanta Sankaradeva and tribal culture

Saint Srimanta Sankaradeva, who lived from 1449 to 1568 AD founded the Vaishnavite order Eka Sarana Nāma Dharma. He preached devotion to the supreme entity, lord Krishna. All devotees of that supreme entity are considered as equal entities in his order. It was a classless and casteless social order that the saint preached. All devotees received …

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Originality of Srimanta Sankaradeva’s contributions

Srimanta Sankaradeva, the father of Assamese nation, was an extra-ordinary person, who excelled in almost all areas of knowledge. His contributions not only made the foundations of Assamese literature, culture and social structure, but also established the super-structures thereupon. It goes without saying that all contributions of Srimanta Sankaradeva bear his marks distinctively. His influence was …

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Evolution of Sankari art form

Art is a way of expressing one’s ideas in aesthetically appealing forms. These include sculptures, paintings, masks, carvings, murals, illustrations etc. It was therefore quite natural that Srimanta Sankaradeva, the father of Assamese literature and culture used this medium to a large extent for his proselytizing activities. The Kirtanghar established by him came to be embellished …

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Srimanta Sankaradeva : the pioneer of Symbolism

Symbolism is a style of representing any particular idea by using symbols. These symbols are endowed with additional meanings apart from their literal meaning. Symbols enable reader or audience to grasp something beyond what is traditionally conveyed by the symbols. The symbol communicates something beyond itself. A symbol is a visible object with which the …

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Life of Srimanta Sankaradeva : chronology of events

Researched and Prepared by Dr Sanjib Kumar Borkakoti 1320—Chandibar, forefather of Srimanta Sankaradeva migrated from Kannauj 1419-20—Kusumbar Bhuyan, father of Sankaradeva married Satyasandhya 1449—Sankara was born at Alipukhuri 1450—Sankara’s grandfather Suryabar died 1451— Sankara’s brother Banganya was born 1454— Sankara given Uttari 1457—Kusumbar Bhuyan died 1461— Sankara’s education started under Mahendra Kandali 1465— Sankara completed …

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Ankiya Play and Bhaona of Srimanta Sankaradeva

Srimanta Sankaradeva (1449-1568 AD) was a leading playwright of Assam as well as India. He set several world records as a playwright and director. His maiden play Chihna yatra launched the movement of regional plays in the modern Indian languages. This play was enacted in 1468 AD at Tembuwani (Bardowa).1 Unfortunately no script of this …

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Than & Sattra institution : a living heritage of Sankaradeva legacy  

  The Thân or Sattra institution is a living heritage bequeathed to the posterity by Srimanta Sankaradeva (1449 AD – 1568 AD). Unlike most heritages, which are long dead, the Thân or Sattra institution continues to be a vibrant one. Earlier, it was known only as Thân. Later on the name Sattra also came to be used. The …

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Common socio-economic perspectives of Srimanta Sankaradeva and Guru Nanak

  The holy land of Bharatavarsha, a wider concept than the present-day India, has seen emergence of many saints and reformers over the milleniums. But there have been very few who have revolutionized the entire socio-economic scenario of their respective regions together with religious movements, like Mahapurusha Srimanta Sankaradeva (1449-1568) and Guru Nanak (1469-1539) did. …

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Srimanta Sankaradeva in Global Perspective

Srimanta Sankaradeva (1449-1568 AD) was an important personality in the annals of history. He was not only a religious preceptor, but also a social reformer, who sanskritized the ethnic groups of the volatile North East India and assimilated them with the national main-stream of Bharatavarsha through the tools of culture as well as philosophical perspective. …

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