What I propose to submit in this lecture is an analysis from my point of view about medieval Indian theatre, supported by evidence in the realm of different Indian traditions. I will certainly revise my views in the light of new elements, which come to my sight. I will have to analyse different traditions minutely …
Place of Ankiyā Bhāonā in the medieval Indian Theatre Read More »
The Thân or Sattra institution is a living heritage bequeathed to the posterity by Srimanta Sankaradeva (1449 AD – 1568 AD). Unlike most heritages, which are long dead, the Thân or Sattra institution continues to be a vibrant one. Earlier, it was known only as Thân. Later on the name Sattra also came to be used. The …
Than & Sattra institution : a living heritage of Sankaradeva legacy Read More »
Assam had a rich tradition of Assamese folk theatrical elements, though not exactly full-fledged theatre, for several milleniums. Full-fledged Assamese theatre came into being in the medieval times. In fact there had been no full-fledged theatre in any modern Indian languages at all before the advent of Srimanta Sankaradeva in the fifteenth century. It was …
Evolution of Assamese Theatre (with special reference to Ankiyā Bhāonā) Read More »
Srimanta Sankaradeva was a stalwart who strode over the cultural scenario of Assam for more than a century during his life-time in the medieval period. But more importantly, he continues to influence the cultural world even four and a half centuries after his demise. Madhavadeva, Ram Rai, Narayanadas Thakur, Damodaradeva, Ananta Kandali, Ram Saraswati, Kanthabhushana, …
Location: Nagaon, Assam, India
