Symbolism is a style of representing any particular idea by using symbols. These symbols are endowed with additional meanings apart from their literal meaning. Symbols enable reader or audience to grasp something beyond what is traditionally conveyed by the symbols. The symbol communicates something beyond itself. A symbol is a visible object with which the …
Researched and Prepared by Dr Sanjib Kumar Borkakoti 1320—Chandibar, forefather of Srimanta Sankaradeva migrated from Kannauj 1419-20—Kusumbar Bhuyan, father of Sankaradeva married Satyasandhya 1449—Sankara was born at Alipukhuri 1450—Sankara’s grandfather Suryabar died 1451— Sankara’s brother Banganya was born 1454— Sankara given Uttari 1457—Kusumbar Bhuyan died 1461— Sankara’s education started under Mahendra Kandali 1465— Sankara completed …
Life of Srimanta Sankaradeva : chronology of events Read More »
The Thân or Sattra institution is a living heritage bequeathed to the posterity by Srimanta Sankaradeva (1449 AD – 1568 AD). Unlike most heritages, which are long dead, the Thân or Sattra institution continues to be a vibrant one. Earlier, it was known only as Thân. Later on the name Sattra also came to be used. The …
Than & Sattra institution : a living heritage of Sankaradeva legacy Read More »
Srimanta Sankaradeva (1449-1568), the founder of the Vaishnavite order Eka Sarana Nāma Dharma was a multi-faceted person whose works had different dimensions. In spite of being a religious preceptor, he included aesthetic activities like Sattriyā dance, Bargeet song, Sankari music, Ankiyā plays, painting and sculpture in his scheme of things. Needless to say, all these …
Srimanta Sankaradeva (1449-1568 AD) was an important personality in the annals of history. He was not only a religious preceptor, but also a social reformer, who sanskritized the ethnic groups of the volatile North East India and assimilated them with the national main-stream of Bharatavarsha through the tools of culture as well as philosophical perspective. …
Assam had a rich tradition of Assamese folk theatrical elements, though not exactly full-fledged theatre, for several milleniums. Full-fledged Assamese theatre came into being in the medieval times. In fact there had been no full-fledged theatre in any modern Indian languages at all before the advent of Srimanta Sankaradeva in the fifteenth century. It was …
Evolution of Assamese Theatre (with special reference to Ankiyā Bhāonā) Read More »
Bishnu Prasad Rabha lived in a tumultuous time, when the country was at the height of freedom movement. He was an active participant in that movement. He became so serious in this struggle for freedom that he dedicated his entire life to it. He did not mean freedom to be one-dimensional; it was not freedom …
Madhavadeva’s father Govinda Bhuyan was an accountant of Pratap Rai, the king of Banduka, presently in Rangpur district of Bangladesh. Forefather of Govinda had earlier migrated from Kannauj along with other Bhuyans. Govinda married a girl named Anuchita in Banduka. Anuchita died at an early age leaving an infant son, Damodar. When Damodar grew up, Govinda …
Srimanta Sankaradeva was a stalwart who strode over the cultural scenario of Assam for more than a century during his life-time in the medieval period. But more importantly, he continues to influence the cultural world even four and a half centuries after his demise. Madhavadeva, Ram Rai, Narayanadas Thakur, Damodaradeva, Ananta Kandali, Ram Saraswati, Kanthabhushana, …
Srimanta Sankaradeva is generally remembered as a religious preceptor, who founded the Eka Sarana Nâma Dharma order. But that is not his only identity. His activities were not confined to the realm of religion alone. His activities were multi-dimensional. He contributed so many things to the society, or to be more precise to the humanity. …
Location: Nagaon, Assam, India
